
Original Transcriptions Inspired By Frank Sinatra
Released: 2015
Artists:
Glenn Zottola; alto saxophone.
Description:
This album was inspired by Frank Sinatra, with whom I worked on TV. Frank used some of the greatest arrangers of all time. My concept has always been to sing through the horn. – Glenn Zottola
Tracks:
- Teach Me Tonight
- Angel Eyes
- Come Rain Or Come Shine
- You Make Me Feel So Young
- Don’t Worry ‘Bout Me
- Try A Little Tenderness
- If I Should Lose You
- Autumn in NY
- Street Of Dreams
From the publisher:
Any album that pays homage to the music associated with the Chairman of the Board must be carefully designed, for Frank Sinatra is a one-of-a-kind icon leaving his mark on American culture and history. Glenn Zottola’s Alto/Sinatra does exactly that, performing the music of Sinatra in an instrumental album where by singing through the horn, Zottola becomes Sinatra through his alto saxophone voice.
Review:
Glenn Zottola plays Classic Arrangements inspired by Frank Sinatra
AAJ Review
by Jazz writer, Nick Mondello
The arranger’s task is a multi-dimensional one. He/she must develop an aural landscape that – as one certainly would for a great work of art – frame the subject appropriately, while never being so ornate as to distract or misrepresent. The greatest of arrangers, especially those who worked with Frank Sinatra – Nelson Riddle, Gordon Jenkins, Quincy Jones, Billy May and others – also had the knack to present material which stimulates the soloist, urging him or her on and effectively simultaneously challenging artist and musicians. Ennui and complacency – whether actual or perceived – are the arrangers’ Satans and Hell on earth for musical artists.
With this superior and fascinating effort, multi-instrumentalist Glenn Zottola brazenly places himself in the “Sinatra spotlight,” performing a baseball team’s worth of Sinatra-affiliated tunes (“Teach Me Tonight,” “Angel Eyes,” “Street of Dreams”). Each selection was inspired by the actual arrangements and was impeccably transcribed – and performed same. It’s brilliant all around.
Zottola’s alto saxophone is a classic one – a throwback to when sonic beauty trumped technical wizardry and when melody reigned supreme. This is a lush, elegant send-up of the highest order. Zottola is a melody marvel, possessing that unique, indescribable element that only occurs when what is written on staff paper flows through the performer’s heart and soul and becomes a “feeling,” a “touch,” a “memory,” or “picture” in the listener’s mind. It’s magic, and Zottola has the wand with which to make it here. Voila!
Glenn Zottola Solo Transcriptions